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Editorial
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Volume 329:1120-1121 October 7, 1993 Number 15
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Joint Hypermobility and the Performing Musician

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It is widely believed that the outstanding virtuosity of the violinist Niccolo Paganini (1782-1840) derived from the remarkable flexibility of his joints, and in particular that of his left hand. He is reported to have been able to bend his thumb back so far that the thumbnail touched the back of his hand. To the dismay of his contemporaries, he could span three octaves with little effort1. How important is joint laxity for musicians and other performing artists? What determines the degree of laxity in joints, and is there a price to pay for the increased flexibility?

Generalized hypermobility . . . [Full Text of this Article]

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