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It was a rainy Good Friday in 1954. A fellow intern at the Brooklyn Jewish Hospital agreed to cover for me. I took the subway to the Metropolitan Opera House to see Parsifal, an opera I have seen every year since. One of Parsifal's overwhelming moments takes place in act 2. Kundry, a symbol of the "eternal-womanly," entices Parsifal in a luxuriant garden, where she embraces him with a long kiss. Parsifal reacts with horror and bursts out: "Amfortas! Die Wunde! Die Wunde!"
According to Opera: Desire, Disease, Death, the wound in question was not inflicted by
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